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The Poetry Page

"One ought, every day at least,
to hear a little song,
read a good poem,
see a fine picture, and,
if it were possible,
to speak a few reasonable words."
- Goethe

 
Having a personal musings page (Sugar Shack) is nice, but honestly, it wasn't quite getting it done for me, given the reams of poetry and song out there - and in here - that woodworking, maple sugaring, and honest physical labor in general put me in mind of. So, here are some examples of poetry and song - mine and others, including some all-time greats (and yours, if you'd like to send me one) that reflect in some way an aspect of working life, preferably old school, but in no way limited to days of yore.


Unless other authorship noted all  works copyright Neil Super.


 

The masons who built many of those magnificent stone bridges in Washington County, MD, and elsewhere, used to say of their efforts "cherish the work." I can only imagine how incredibly freighted with meaning those words were for them, but for me there is a spiritual angle to the phrase that I found surprisingly easy to describe with this poem.

 

Cherish the Work


         
In church – that place of brick and stone,

Where true grace have I seldom known

It’s rare, if ever, I’ll be found

I do my thanking quite alone

 

Instead I heed the working sounds

as in my shop I make the rounds

that stir me in their countless ways

To gratefulness, deep and profound

 

To cherish work’s one way to say

That thankful for this life I’ll stay

And times before the lathe a’sway

I find I’ve found a way to pray



This proverb verse came from an old almanac and kinda said "January" to a new friend...
 
     The Yule has come,
     The Yule has gone,
     And we have toasted well.
     Now Johnny to his flail must go,
     And Jenny to her wheel.

This poem is ostensibly about a tree felling (crosscut) handsaw passed down from my wife's family.
Backstory: my mother-in law had some very capable brothers who did just about everything themselves and knew their way around the business ends of most tools. (I use one of their handmade grinders to this day). To boot, they had some really cool names: Wilmer, Melvin, Marvin, Elliott and Dale. One of them owned the saw that emphasizes the singer's loneliness in the song below...

Old Saw, Two Handles
 

Old saw, two handles

Wants four hands to make her hum

Old saw, two handles

Can’t you see I’m only one?

How can I make you hum?

How can I make you hum?

How can I make you zing and sing

When you see I’m only one?

 

Old work sweat stains your handles

polish of years gone by

shed by the husky woodsmen

The sound of the timber cry

The sound of the timber cry

The sound of the timber cry

With you set there on my mantel

No sound for such as I

 

Roll my hay and chase my days

While you lay there in old dust

I may steal a look when I choose a book

But still your steel’s got rust

Still your steel’s got rust

Oh, still your steel’s got rust

I can’t pick you up and heave you to

What makes me think I must?

 

Old saw, two handles

Wants four hands to make her hum

Old saw, two handles

Can’t you see I’m only one?

How can I make you hum?

How can I make you hum?

How can I make you zing and sing

When you see I’m only one?





Pipe Making


I made this pipe

I'm smoking now

as I sit and carve its brother


In burley's pall

sure soon I'll thrall

and swoon and start another





Sparkles from The Wheel
by Walt Whitman
1
WHERE the city’s ceaseless crowd moves on, the live-long day,
Withdrawn, I join a group of children watching—I pause aside with them.

By the curb, toward the edge of the flagging,
A knife-grinder works at his wheel, sharpening a great knife;
Bending over, he carefully holds it to the stone—by foot and knee,
With measur’d tread, he turns rapidly—As he presses with light but firm hand,
Forth issue, then, in copious golden jets,
Sparkles from the wheel.

2
The scene, and all its belongings—how they seize and affect me!
The sad, sharp-chinn’d old man, with worn clothes, and broad shoulder-band of
leather;
Myself, effusing and fluid—a phantom curiously floating—now here absorb’d
and
arrested;

The group, (an unminded point, set in a vast surrounding;)
The attentive, quiet children—the loud, proud, restive base of the streets;
The low, hoarse purr of the whirling stone—the light-press’d blade,
Diffusing, dropping, sideways-darting, in tiny showers of gold,
Sparkles from the wheel.


 


The Shovel Man

By Carl Sandberg (from "Chicago")

 

  ON the street
Slung on his shoulder is a handle half way across,
Tied in a big knot on the scoop of cast iron
Are the overalls faded from sun and rain in the ditches;
Spatter of dry clay sticking yellow on his left sleeve
          And a flimsy shirt open at the throat,
          I know him for a shovel man,
          A dago working for a dollar six bits a day
And a dark-eyed woman in the old country dreams of
     him for one of the world's ready men with a pair
     of fresh lips and a kiss better than all the wild
     grapes that ever grew in Tuscany.

 

 



 


Clutter


A cluttered desk's,

a sign they say

of mind both clear and able


which makes me pause

and laugh because

I've lost my workshop table



For my Bee Keeper friend Chris, an Emily Dickinson gem:

The pedigree of honey
Does not concern the bee;
A clover, any time, to him
Is aristocracy.



From Leaves of Grass, Whitman's masterpiece, Song of Occupations:

 

A song for occupations!
In the labor of engines and trades and the labor of fields I find
the developments,
And find the eternal meanings.
Workmen and Workwomen!
Were all educations practical and ornamental well display'd out of
me, what would it amount to?
Were I as the head teacher, charitable proprietor, wise statesman,
what would it amount to?
Were I to you as the boss employing and paying you, would that satisfy you?


The learn'd, virtuous, benevolent, and the usual terms,
A man like me and never the usual terms.


Neither a servant nor a master I,
I take no sooner a large price than a small price, I will have my
own whoever enjoys me,
I will be even with you and you shall be even with me...



 I've done a lot of research on the 19th century stone arch bridges that grace Washington County, MD, which besides being beautiful structures in large measure reflect the growth of this area and, by extension, the national trade routes that helped build this country. One such bridge is at Antietam National Battlefield, known today, of course, as "Burnside Bridge." I've spent a lot of time there, reflecting both on what happened at that place in 1863 and the origins of the bridge itself, which still stands, and wrote this song one morning sitting on the bank of Antietam Creek. Historical note: Freemason Silas Harry DID build lots of the bridges locally, but for accuracy sake, Burnside Bridge was built by John Weaver. I just found Mr. Harry more of a romantic figure and so took liberties.


Silas Harry 

 

Where’d you learn to lay stone, Silas?

Where you learn to lay ‘er?

In greenest Scotland whence you came

From hills and fields so fair?

Are ya’ lonely for them hills and dales,

Are ya’ lonely for yer women?

When ya take yer break

Go  soothe yer ache

In country creek go swimmin’

 

Silas what was it brought you here,

Was’t  a dream you boys were chasin’?

Or chased were you, did you have to leave?

What trouble you were facin?

Don’t matter none if you had to run

Yer here now master mason

And the limestone’s cool

And the limekiln’s full

And the millrace water’s racin’

 

Three arches here, she’ll take a year

 But I hear wagons comin’

And one day hence, beside this fence

Will soldiers come a runnin’

Your bridge will see

A massacree

But you don’t know that do ya?

right here and now

this bridge somehow

like water’s runnin through ya

 

Where’d you learn to lay stone, Silas?

Where you learn to lay ‘er?

In greenest Scotland whence you came

From hills and fields so fair?

Are ya’ lonely for them hills and dales,

Are ya’ lonely for yer women?

When ya take yer break

Go  soothe yer ache

And strip them duds fer’swimmin’


 


Not exactly a work poem, but one of my all time favorites:

Fire and Ice
by
Robert Frost

Some say the world will end in fire,
Some say in ice.
From what I've tasted of desire
I hold with those who favor fire.
But if I had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice

 


Ya knew this one was going to be in here...

 


I Hear America Singing
by Walt Whitman


I hear America singing, the varied carols I hear,
Those of mechanics, each one singing his as it should be blithe
and strong,
The carpenter singing his as he measures his plank or beam,
The mason singing his as he makes ready for work, or leaves off
work,
The boatman singing what belongs to him in his boat, the deckhand
singing on the steamboat deck,
The shoemaker singing as he sits on his bench, the hatter singing
as he stands,
The wood-cutter's song, the ploughboy's on his way in the
morning, or at noon intermission or at sundown,
The delicious singing of the mother, or of the young wife at work,
or of the girl sewing or washing,
Each singing what belongs to him or her and to none else,
The day what belongs to the day--at night the party of young
fellows, robust, friendly,
Singing with open mouths their strong melodious songs.